
Happy Happy Holidays everyone!!! I have lots of things on the horizon for after the holidays so please do stay tuned! Til then, have a happy and safe holiday!
This is a style of illustration that I love to do--simple pen and ink (well, digitally simulated pen and ink anyway). Some of my favorite illustrators of all time have been masters of this media and, strangely, many of them were most prolific during the late 19th and early 20th century. Heirich Kley, A.B. Frost, Charles Dana Gibson, Thomas Nast, Arthur Rackham, John Tenniel... These are all masters of the line and their influence has crept into the very fabric of our popular culture.



Back on the blogosphere people after a wee break. I have been getting out the old sketchbook and have been doing a wee bit of drawering here lately. Lot's of pencil work and keeping the chops nice and frosty. I have a few nice gigs coming up--a piece in Highlights magazine and a series of illustrations for ETV for a summer production. Yes, that's right Wavy Davey and I will be back at it--bringing everyone some more historical-themed "visualizations" for everyone. This production deals with SC colonial figure Charles Pinckney. Pinckney was a signatory to the Constitution and a former Governor of South Carolina. It should be a hoot since the colonial period is my favorite period in US history. Anyway, I'll holler when she's set to pop. In the meantime, I apologize for my absence and hope folks will stick around to see what I am up to! Cheers...
A while back Leo and I were playing in his room in a small tent which was serving both as a castle AND as a spaceship. I kept asking why it was a spaceship AND a castle. Without missing a step Leo said, "Because the king is in space Daddy..." Too right. The king IS in space. Never underestimate the imagination of a three-and-a-half year old!
Here is another piece for my "Alien Orchestra" series. I love creating characters more than anything. I always have. I just pulled these guys out of the sketchbook and painted them up in Corel Painter.
Well, the drum is hollow right? This is a taste of a larger portfolio I am working on. Getting ready to make a big push to get my portfolio/website/marketing materials together. I hope to have everything up off the ground by September-ish (my birthday). Anyway, I will post more updates on this effort soon...



Okay, so the first painting idea I had (the take off on the Obama "Hope" image) was a stupid idea so I jettisoned that idea in favor of this one--which I kind of love. This was a sketch that I just sort of blew up on the canvas and then pretty much just loosely roughed out with acrylics. Once I had all the colors blocked in, I went back in with pastels and then added accents. Total working time, about 4-ish hours (including the time for making coffee, talking on the phone and pulling Daily Show and Colbert up on Hulu).
This is going to be a large-ish canvas that I am planning for the GPCP auction benefit. Of course, it's a play on the whole Obama/Shepard Fairey image that was so ubiquitous during the campaign. Iam thinking a bigger canvas--nothing too huge. I basically found a stock image of a dog and did my own little paint-over in Photoshop. It doesn't make me Duchamp or anything but I thought it made for some pretty nice satire.
I have been adapting a style lately that more accurately reflects my personality and how I work. In the past, I have tried so hard to polish my style--to create works that are "gleaming" in their finished appearance. The ironic thing is that those pieces generate nowhere near the positive reaction that my looser, less polished pieces generate. I have shown my portfolio to people, watched them flip past all of the pieces that I was so proud of because of their polished finish only to have them stop at gaze at some sketch. I don't know what that says about me but I think I am going to explore this for awhile.
Some more deposits from the sketchbook. I thought this was a funny sketch. Not really sure why. I just think it's funny...

Lately, I have been taking a break from work and other stuff to look at old sketches and came across some from a while back when I was thinking about The Jungle Book. I was wanting to create a Shere Kahn design that is less Disney and more "Terry Gilliam." Anyway, I like these tigers a lot. Big cats are a lot of fun.
I posted this on conceptart.org in their critique center and got some amazing feedback... One of the major points was that folks felt that there needed to be more variation in the colors overall--that is, adding more warmer colors, browns, golds, oranges. Others felt like it needed some more atmospheric touches to the background--maybe add some more cooler greens. I even desaturated some areas in the background to provide more of ma feeling of depth. One artist did me the honor of doing a brief "paint-over" on the image to better demonstrate his suggestions. I loved it so much that I tried to recreate the wonderful touches he added--though, of course, I added my own spin.
Just finished this illustration that I've been picking at since before the holidays. I really do love fantastic art and have long wanted to try to tackle some more challenging subjects... The above image is my depiction of the Green Knight from Sir Gawain and the Green Knight. I read it many years ago in Medieval Lit class in college and always thought it would make an interesting illustrated text.